Her admiration of the independent woman had undergone some modification since she had come in contact with her. Woman was intended to be dependent upon man. It was the part appointed to him in the social scheme. Woman had hers, no less important. Earning her own living did not improve her. It was one of the drawbacks of civilization that so many had to do it of necessity. It developed her on the wrong lines—against her nature. This cry of the unsexed: that woman must always be the paid servant instead of the helper of man—paid for being mother, paid for being wife! Why not carry it to its logical conclusion, and insist that she should be paid for her embraces? That she should share in man’s labour, in his hopes, that was the true comradeship. What mattered it, who held the purse-strings! He lapsed into silence: his almost transparent hands stretched out towards the fire.!

“I know an old actress,” he continued. “She’s the mother of four. They are all on the stage and they’ve all made their mark. The youngest was born in her dressing-room, just after the curtain had fallen. She was playing the Nurse to your mother’s Juliet. She is still the best Nurse that I know. ‘Jack’s always worrying me to chuck it and devote myself to the children,’ she confided to me one evening, while she was waiting for her cue. ‘But, as I tell him, I’m more helpful to them being with them half the day alive than all the day dead.’ That’s an anecdote worth remembering, when your time comes. If God gives woman a drum he doesn’t mean man to take it away from her. She hasn’t got to be playing it for twenty-four hours a day. I’d like you to have seen your mother’s Cordelia.” “How did she come to fall in love with you?” asked Joan. “I don’t mean to be uncomplimentary, Dad.” She laughed, taking his hand in hers and stroking it. “You must have been ridiculously handsome, when you were young. And you must always have been strong and brave and clever. I can see such a lot of women falling in love with you. But not the artistic woman.”

Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them. A middle-aged sergeant, who had a wound in the stomach and was sitting up in his bed, looked across. “There was a line of Germans came upon us,” he said, “at Bras. I thought I must be suffering from a nightmare when I saw them. They had thrown away their rifles and had all joined hands. They came dancing towards us just like a row of ballet girls. They were shrieking and laughing, and they never attempted to do anything. We just waited until they were close up and then shot them down. It was like killing a lot of kids who had come to have a game with us. The one I potted got his arms round me before he coughed himself out, calling me his ‘liebe Elsa,’ and wanting to kiss me. Lord! You can guess how the Boche ink-slingers spread themselves over that business: ‘Sonderbar! Colossal! Unvergessliche Helden.’ Poor devils!” “I do not think we women have the right to discuss war,” she confided to Joan in her gentle, high-bred voice. “I suppose you think that out of date. I should have thought so myself forty years ago. We talk of ‘giving’ our sons and lovers, as if they were ours to give. It makes me a little angry when I hear pampered women speak like that. It is the men who have to suffer and die. It is for them to decide.”